West Coast Synthesis

The West Coast synthesis is a unique approach to electronic music synthesis that emerged in the 1960s and 1970s, primarily associated with the work of Don Buchla and his company, Buchla Electronic Musical Instruments Corporation.  

Key characteristics of West Coast synthesis:

• Additive Synthesis: Unlike East Coast synthesis, which focuses on subtractive synthesis, West Coast synthesis often employs additive synthesis. This involves building complex sounds by combining simple waveforms, such as sine waves.  
• Experimental Approach: West Coast synthesis is characterized by its experimental and exploratory nature. It often involves unconventional techniques and unconventional controllers, such as touch plates and pressure sensors.  
• Focus on Timbre: West Coast synthesizers are often designed to create unique and evolving timbres, rather than focusing on traditional musical structures.  
• Modular Synthesis: Like East Coast synthesis, West Coast synthesizers are often modular, allowing users to create custom instruments and explore a wide range of sonic possibilities.  

Don Buchla and His Influence:

Don Buchla is considered the father of West Coast synthesis. His innovative designs, such as the 200 Series and 200e Series modular synthesizers, have had a profound impact on electronic music. His instruments were used by pioneering electronic musicians like Wendy Carlos, Morton Subotnick, and Suzanne Ciani.  

West Coast synthesis has influenced a wide range of electronic music genres, including ambient, electronic, and experimental music. Its emphasis on experimentation and unique sound design continues to inspire musicians and producers today.

While East Coast and West Coast synthesis have distinct approaches, they both have contributed significantly to the evolution of electronic music. The blending of these two styles has led to a diverse and rich landscape of electronic sound.